24 Harmonic Circles • Formula I - vi - ii - V7

Harmonic Circles for Piano & Keyboard

All 24 piano harmonic circles (12 major and 12 minor) are the foundation of keyboard accompaniment across ballads, pop, and jazz. They form a seamless 4-chord cycle where the left hand establishes the root bass and the right hand sustains the harmonic rhythm.

I - vi - ii - V7Root position

Harmonic circle in C Major

Chord (Right Hand):C Major (C)C - E - G
C4C1DE3FG5ABC5CDEFGAB
Voice Leading & Smooth Transitions

C Major (C), A Minor (Am), D Minor (Dm) and G Seventh (G7). Start each chord from its root in the left hand and keep the common notes still in the right hand so the voices move as little as possible.

02 • 24 Harmonic Circles

Essential Harmonic Circles for Accompaniment

Each measure consists of 4 beats (4/4 time signature) with fluid cyclical resolution.

KeyChord FormulaHarmonic DegreesLeft-Hand Bass
Círculo de Do MayorC - Am - Dm - G7I - vi - ii - V7Do (C3) → La (A2) → Re (D3) → Sol (G2)
Círculo de Sol MayorG - Em - Am - D7I - vi - ii - V7Sol (G2) → Mi (E2) → La (A2) → Re (D3)
Círculo de Re MayorD - Bm - Em - A7I - vi - ii - V7Re (D3) → Si (B2) → Mi (E2) → La (A2)
Círculo de La MayorA - F#m - Bm - E7I - vi - ii - V7La (A2) → Fa# (F#2) → Si (B2) → Mi (E2)
Círculo de Mi MayorE - C#m - F#m - B7I - vi - ii - V7Mi (E2) → Do# (C#3) → Fa# (F#2) → Si (B2)
Círculo de Si MayorB - G#m - C#m - F#7I - vi - ii - V7Si (B2) → Sol# (G#2) → Do# (C#3) → Fa# (F#2)
Círculo de Fa# MayorF# - D#m - G#m - C#7I - vi - ii - V7Fa# (F#2) → Re# (D#3) → Sol# (G#2) → Do# (C#3)
Círculo de Reb MayorDb - Bbm - Ebm - Ab7I - vi - ii - V7Reb (Db3) → Sib (Bb2) → Mib (Eb3) → Lab (Ab2)
Círculo de Lab MayorAb - Fm - Bbm - Eb7I - vi - ii - V7Lab (Ab2) → Fa (F2) → Sib (Bb2) → Mib (Eb3)
Círculo de Mib MayorEb - Cm - Fm - Bb7I - vi - ii - V7Mib (Eb3) → Do (C3) → Fa (F2) → Sib (Bb2)
Círculo de Sib MayorBb - Gm - Cm - F7I - vi - ii - V7Sib (Bb2) → Sol (G2) → Do (C3) → Fa (F2)
Círculo de Fa MayorF - Dm - Gm - C7I - vi - ii - V7Fa (F2) → Re (D3) → Sol (G2) → Do (C3)
Círculo de La MenorAm - Dm - E7 - Ami - iv - V7 - iLa (A2) → Re (D3) → Mi (E2) → La (A2)
Círculo de Mi MenorEm - Am - B7 - Emi - iv - V7 - iMi (E2) → La (A2) → Si (B2) → Mi (E2)
Círculo de Si MenorBm - Em - F#7 - Bmi - iv - V7 - iSi (B2) → Mi (E2) → Fa# (F#2) → Si (B2)
Círculo de Fa# MenorF#m - Bm - C#7 - F#mi - iv - V7 - iFa# (F#2) → Si (B2) → Do# (C#3) → Fa# (F#2)
Círculo de Do# MenorC#m - F#m - G#7 - C#mi - iv - V7 - iDo# (C#3) → Fa# (F#2) → Sol# (G#2) → Do# (C#3)
Círculo de Sol# MenorG#m - C#m - D#7 - G#mi - iv - V7 - iSol# (G#2) → Do# (C#3) → Re# (D#3) → Sol# (G#2)
Círculo de Mib MenorEbm - Abm - Bb7 - Ebmi - iv - V7 - iMib (Eb3) → Lab (Ab2) → Sib (Bb2) → Mib (Eb3)
Círculo de Sib MenorBbm - Ebm - F7 - Bbmi - iv - V7 - iSib (Bb2) → Mib (Eb3) → Fa (F2) → Sib (Bb2)
Círculo de Fa MenorFm - Bbm - C7 - Fmi - iv - V7 - iFa (F2) → Sib (Bb2) → Do (C3) → Fa (F2)
Círculo de Do MenorCm - Fm - G7 - Cmi - iv - V7 - iDo (C3) → Fa (F2) → Sol (G2) → Do (C3)
Círculo de Sol MenorGm - Cm - D7 - Gmi - iv - V7 - iSol (G2) → Do (C3) → Re (D3) → Sol (G2)
Círculo de Re MenorDm - Gm - A7 - Dmi - iv - V7 - iRe (D3) → Sol (G2) → La (A2) → Re (D3)

Explore keyboard harmonic progressions and voice leading for acoustic piano.

Listen to Live Guitar Circles
Score

The C circle on the staff

The four chords of the circle written for piano with the ballad pattern: the left hand plays the bass on beats 1 and 3 and the right hand answers with the chord on 2 and 4. Guitarists can also use it to read the actual notes of each chord.

Upper staff (treble clef): right hand. Lower staff (bass clef): left hand. The chord symbol sits above each bar.
Show the notes as text, beat by beat

Bar 1 · C

Count1234
Right hand (RH)G4E4C4G4E4C4
Left hand (LH)C3G3

Bar 2 · Am

Count1234
Right hand (RH)E4C4A3E4C4A3
Left hand (LH)A2E3

Bar 3 · Dm

Count1234
Right hand (RH)A4F4D4A4F4D4
Left hand (LH)D3A3

Bar 4 · G7

Count1234
Right hand (RH)F5D5B4G4F5D5B4G4
Left hand (LH)G2D3

How to use it

How to play a chord circle on the piano

A harmonic circle is a repeating four-chord progression. Tonic, relative minor, subdominant, and dominant, for example C – Am – F – G.

Its variant is I – vi – ii – V7. It appears in hundreds of songs and is the best exercise for learning to accompany.

Listen: I-vi-IV-V in C

  1. C
  2. Am
  3. F
  4. G
C, A minor, F and G on the keyboard. The progression behind thousands of songs.
  1. Splitting the hands

    • Your left hand plays the root of each chord in the bass, one note per measure.
    • The right hand plays the triad around middle C.
    • Look for the inversion that requires the least finger movement. From C, with C, E, and G, to Am, with C, E, and A, only your little finger changes.
  2. How to practise it

    Start with one chord per measure, as whole notes, at 60 BPM. When the changes are seamless, move to quarter notes and then to an accompaniment pattern.

    Then apply the same circle to G and F. This way, your hand gets used to the black keys.

Check yourself

In the I-vi-IV-V progression in C major, which chord is the vi?

Index of All 24 Piano Harmonic Circles

All 12 major and 12 minor harmonic circles with their 4-chord sequence (I - vi - ii - V7). Click any circle to navigate directly to its study reference.

Major Harmonic Circles (12)

Minor Harmonic Circles (12)