Chord Progressions by Emotion & Atmosphere

Instantly find the ideal chord progression for your next song. Use the quick selector or search by feeling, artist, or chord.

Tokyo City Pop & 80s Groove

IVmaj7 - iiim7 - iim7 - Imaj7• ~100 BPM
Transpose Key
Original
Tempo
100 BPM
Sound Style
Copy Progression
IVmaj7
Fmaj7
321××EADGBe

Open · 1/2

iiim7
Em7
1EADGBe

Natural · 1/2

iim7
Dm7
211××EADGBe

Natural · 1/2

Imaj7
Cmaj7
32×EADGBe

Natural · 1/2

Why does this trigger this feeling according to music theory?

A velvety major and minor seventh downward step with a Tokyo City Pop and Shibuya-kei air (IVmaj7 - iiim7 - iim7 - Imaj7). It paints midnight highway drives, shimmering neon skylines, and a sophisticated 1980s Japanese groove.

4/4 Time•Blues & Jazz•Funk 1 (#71)•View strumming patterns
Learn more (Pedagogy)

“Tokyo City Pop & 80s Groove”, a CifraLab proposal

Fmaj7, Em7, Dm7 and Cmaj7 is the progression CifraLab proposes for a “Tokyo City Pop & 80s Groove” feel.

“Tokyo City Pop & 80s Groove” runs at 114 beats per minute, so each beat lasts 526 milliseconds. If each chord takes one bar of four beats, the full cycle lasts 8.4 seconds. Read in C major, its degrees are IVmaj7, iiim7, iim7 and Imaj7. In Fmaj7 you hear F, A, C and E. Em7 holds E, G, B and D. In Dm7 you hear D, F, A and C. Cmaj7 holds C, E, G and B.

Fmaj7 rings with string 1 open and three fretted positions, leaving strings 6 and 5 unplayed. Em7 presses one position and leaves five strings open. Dm7 rings with string 4 open and three fretted positions, leaving strings 6 and 5 unplayed. Cmaj7 presses two positions and leaves three strings open, leaving string 6 unplayed.

From Fmaj7 to Em7, E stays, but no fretted position repeats. Em7 and Dm7 share D, though the hand changes shape. From Dm7 to Cmaj7, C stays, but no fretted position repeats. Cmaj7 and Fmaj7 share C and E, though the hand changes shape.