Mga siklong harmoniko

Ang paikot na progression na I - vi - ii - V: ang harmonic na pundasyon ng libu-libong ballad at sikat na awitin.

Antas ng Harmoniya
Mabilisang Pagpili
Mayor (12)

C Mayor

I – vi – ii – V7

Degree I
C
321×EADGBe

Natural · 1/3

Degree vi
Am
231×EADGBe

Natural · 1/2

Degree ii
Dm
231××EADGBe

Natural · 1/2

Degree V7
G7
321EADGBe

Natural · 1/2

G Mayor

I – vi – ii – V7

Degree I
G
213EADGBe

Natural · 1/4

Degree vi
Em
12EADGBe

Natural · 1/2

Degree ii
Am
231×EADGBe

Natural · 1/2

Degree V7
D7
213××EADGBe

Natural · 1/2

D Mayor

I – vi – ii – V7

Degree I
D
132××EADGBe

Natural · 1/3

Degree vi
Bm
1342×EADGBe

Barre 2 · 1/3

Degree ii
Em
12EADGBe

Natural · 1/2

Degree V7
A7
12×EADGBe

Natural · 1/2

A Mayor

I – vi – ii – V7

Degree I
A
123×EADGBe

Natural · 1/3

Degree vi
F#m
134EADGBe

Barre 2 · 1/3

Degree ii
Bm
1342×EADGBe

Barre 2 · 1/3

Degree V7
E7
21EADGBe

Natural · 1/2

E Mayor

I – vi – ii – V7

Degree I
E
231EADGBe

Natural · 1/3

Degree vi
C#m
1342×4frEADGBe

Barre 4 · 1/3

Degree ii
F#m
134EADGBe

Barre 2 · 1/3

Degree V7
B7
2134×EADGBe

Natural · 1/2

B Mayor

I – vi – ii – V7

Degree I
B
1234×EADGBe

Barre 2 · 1/3

Degree vi
G#m
1234frEADGBe

Barre 4 · 1/3

Degree ii
C#m
1342×4frEADGBe

Barre 4 · 1/3

Degree V7
F#7
132EADGBe

Barre 2 · 1/3

F# Mayor

I – vi – ii – V7

Degree I
F#
1342EADGBe

Barre 2 · 1/3

Degree vi
D#m
1342×6frEADGBe

Barre 6 · 1/2

Degree ii
G#m
1234frEADGBe

Barre 4 · 1/3

Degree V7
C#7
123×4frEADGBe

Barre 4 · 1/2

Db Mayor

I – vi – ii – V7

Degree I
Db
1234×4frEADGBe

Barre 4 · 1/3

Degree vi
Bbm
1342×EADGBe

Barre 1 · 1/3

Degree ii
Ebm
1342×6frEADGBe

Barre 6 · 1/3

Degree V7
Ab7
1324frEADGBe

Barre 4 · 1/3

Ab Mayor

I – vi – ii – V7

Degree I
Ab
13424frEADGBe

Barre 4 · 1/3

Degree vi
Fm
123EADGBe

Barre 1 · 1/3

Degree ii
Bbm
1342×EADGBe

Barre 1 · 1/3

Degree V7
Eb7
123×6frEADGBe

Barre 6 · 1/3

Eb Mayor

I – vi – ii – V7

Degree I
Eb
1234×6frEADGBe

Barre 6 · 1/3

Degree vi
Cm
1342×3frEADGBe

Barre 3 · 1/3

Degree ii
Fm
123EADGBe

Barre 1 · 1/3

Degree V7
Bb7
123×EADGBe

Barre 1 · 1/3

Bb Mayor

I – vi – ii – V7

Degree I
Bb
1234×EADGBe

Barre 1 · 1/3

Degree vi
Gm
1233frEADGBe

Barre 3 · 1/3

Degree ii
Cm
1342×3frEADGBe

Barre 3 · 1/3

Degree V7
F7
132EADGBe

Barre 1 · 1/3

F Mayor

I – vi – ii – V7

Degree I
F
1342EADGBe

Barre 1 · 1/3

Degree vi
Dm
231××EADGBe

Natural · 1/2

Degree ii
Gm
1233frEADGBe

Barre 3 · 1/3

Degree V7
C7
3241×EADGBe

Natural · 1/2

menor (12)

Am menor

I – vi – ii – V7

Degree I
Am
231×EADGBe

Natural · 1/2

Degree vi
F
1342EADGBe

Barre 1 · 1/3

Degree ii
Dm
231××EADGBe

Natural · 1/2

Degree V7
E7
21EADGBe

Natural · 1/2

Em menor

I – vi – ii – V7

Degree I
Em
12EADGBe

Natural · 1/2

Degree vi
C
321×EADGBe

Natural · 1/3

Degree ii
Am
231×EADGBe

Natural · 1/2

Degree V7
B7
2134×EADGBe

Natural · 1/2

Bm menor

I – vi – ii – V7

Degree I
Bm
1342×EADGBe

Barre 2 · 1/3

Degree vi
G
213EADGBe

Natural · 1/4

Degree ii
Em
12EADGBe

Natural · 1/2

Degree V7
F#7
132EADGBe

Barre 2 · 1/3

F#m menor

I – vi – ii – V7

Degree I
F#m
134EADGBe

Barre 2 · 1/3

Degree vi
D
132××EADGBe

Natural · 1/3

Degree ii
Bm
1342×EADGBe

Barre 2 · 1/3

Degree V7
C#7
123×4frEADGBe

Barre 4 · 1/2

C#m menor

I – vi – ii – V7

Degree I
C#m
1342×4frEADGBe

Barre 4 · 1/3

Degree vi
A
123×EADGBe

Natural · 1/3

Degree ii
F#m
134EADGBe

Barre 2 · 1/3

Degree V7
G#7
1324frEADGBe

Barre 4 · 1/2

G#m menor

I – vi – ii – V7

Degree I
G#m
1234frEADGBe

Barre 4 · 1/3

Degree vi
E
231EADGBe

Natural · 1/3

Degree ii
C#m
1342×4frEADGBe

Barre 4 · 1/3

Degree V7
D#7
123×6frEADGBe

Barre 6 · 1/2

D#m menor

I – vi – ii – V7

Degree I
D#m
1342×6frEADGBe

Barre 6 · 1/2

Degree vi
B
1234×EADGBe

Barre 2 · 1/3

Degree ii
G#m
1234frEADGBe

Barre 4 · 1/3

Degree V7
A#7
123×EADGBe

Barre 1 · 1/2

Bbm menor

I – vi – ii – V7

Degree I
Bbm
1342×EADGBe

Barre 1 · 1/3

Degree vi
Gb
1342EADGBe

Barre 2 · 1/2

Degree ii
Ebm
1342×6frEADGBe

Barre 6 · 1/3

Degree V7
F7
132EADGBe

Barre 1 · 1/3

Fm menor

I – vi – ii – V7

Degree I
Fm
123EADGBe

Barre 1 · 1/3

Degree vi
Db
1234×4frEADGBe

Barre 4 · 1/3

Degree ii
Bbm
1342×EADGBe

Barre 1 · 1/3

Degree V7
C7
3241×EADGBe

Natural · 1/2

Cm menor

I – vi – ii – V7

Degree I
Cm
1342×3frEADGBe

Barre 3 · 1/3

Degree vi
Ab
13424frEADGBe

Barre 4 · 1/3

Degree ii
Fm
123EADGBe

Barre 1 · 1/3

Degree V7
G7
321EADGBe

Natural · 1/2

Gm menor

I – vi – ii – V7

Degree I
Gm
1233frEADGBe

Barre 3 · 1/3

Degree vi
Eb
1234×6frEADGBe

Barre 6 · 1/3

Degree ii
Cm
1342×3frEADGBe

Barre 3 · 1/3

Degree V7
D7
213××EADGBe

Natural · 1/2

Dm menor

I – vi – ii – V7

Degree I
Dm
231××EADGBe

Natural · 1/2

Degree vi
Bb
1234×EADGBe

Barre 1 · 1/3

Degree ii
Gm
1233frEADGBe

Barre 3 · 1/3

Degree V7
A7
12×EADGBe

Natural · 1/2

Paano gamitin

Ano ang Harmonic Circle

Sa popular na gitara, ang harmonic circle ay isang pag-ikot ng apat na chords. Ito ay nabubuo mula sa I, vi, ii, at V degrees ng isang tonalidad.

Minsan ang ii ay pinapalitan ng IV. Sa C major, ito ay C – Am – Dm – G7.

  1. Para Saan Ito Ginagamit

    Ito ang batayan ng mga balada, bolero, at pasillo. Ito rin ang pinakamabilis na paraan upang matutong mag-akompanya.

  2. Paano Gamitin

    Pumili ng gitara o piano. Ang 24 na circle ay nasa parehong instrumento, 12 major at 12 minor, na may tunog at pagsusuri ng bawat degree.

    • Magsimula sa C, G, at D major. Sa gitara, gumamit lamang ng mga open chords.
    • Tumugtog ng isang chord bawat bar na may metronome sa 60–70 BPM. Taasan ang tempo kapag ang mga pagbabago ay nagagawa nang walang paghinto.
    • Ang mga minor circle, tulad ng Am, Em, o Dm, ay gumagamit ng V7 major. Sa A minor, ito ay E7, at lumilikha ito ng tensyon na bumabalik sa tonika.

Paano basahin ang tablatura at partitura

Isang sukat bawat akorde, gamit ang arpeggio P-i-m-a: tinutugtog ng hinlalaki ang bass, at ng hintuturo, hinlalato at palasingsingan ang mga kuwerdas 3, 2 at 1.

Tablatura: bawat guhit ay kumakatawan sa isang kuwerdas (e sa itaas = una, E sa ibaba = ikaanim); ipinakikita ng numero ang banda na pipindutin.

Ipinakikita sa pentagrama ang kaparehong arpeggio. Isinusulat ang piyesa para sa gitara nang isang oktaba na mas mataas kaysa sa aktuwal na tunog nito.

Isinulat para sa piano ang apat na akorde ng siklong ito gamit ang saliw na balada: tinutugtog ng kaliwang kamay ang bass sa una at ikatlong kumpas, at sumasagot ang kanan ng akorde sa ikalawa at ikaapat. Magagamit din ito ng mga gitarista upang mabasa ang mga aktuwal na nota ng bawat akorde.

Itaas na pentagrama (susi ng Sol): kanang kamay. Ibabang pentagrama (susi ng Fa): kaliwang kamay. Nasa ibabaw ng bawat sukat ang sagisag ng akorde.